Originally published on GoshenCommons.org November 11, 2013
Last post’s review of “Marble Season” by Gilbert Hernandez was my first write-up of a black and white comic—which made me realize how little I’ve been representing this seminal and diverse world.
Black and white comics are the foundation on which the genre has been built. What most of us define as comics were first published in newspapers before the age of color printing—as well as later, when color printing was expensive and rationed to pages more important than the Sunday “funnies.”
Printing in color has become much more affordable for small presses, a shift in production crucial to the current comics zeitgeist. Many recent comics bestsellers push color to the limits of its possibilities, creating rich, bright and complicated scenes. Here are images from three works I reviewed in earlier posts, Marguerite Abouet’s “Aya” series, illustrated by Clement Oubrerie; Chris Ware’s “Building Stories”; and Lucy Knisley’s “Relish”: