“On a Sunbeam,” a Genderqueer Space Opera by Tillie Walden

“On a Sunbeam,” by Tillie Walden. First Second Books. October 2018. 533 pp. Paper, 32.99. Young adult, 13+.

Thanks to Better World Books, 215 S. Main St. in Goshen, for providing me with books to review. You can find or order all of the books I review at the store.

Comics artist Tillie Walden feels ambivalent about social media. She does post her work, especially her webcomics and works in progress, on her own site, as well as on Instagram and Twitter, but as she told fellow comics artist Jen Wang for the site YA Pride, “I never felt entirely comfortable online. I don’t think it’s ever really suited me,” she adds. “It works for a lot of teens, but I found it all to be a little too artificial.”

It also gives her a lot more time to write and draw. Although she is only 22, her most recent graphic narrative, “On a Sunbeam,” is her sixth. She first published it as a webcomic, her installments averaging 30 pages a week—which, for art with this level of detail and complication, must be a record. The whole work is still available online, but when it comes to a breathtaking full-page panel like this,

or this,

not only is the color more vivid on the page than on the screen, but there’s something to be said for turning the page and holding it in your hands. Continue reading ““On a Sunbeam,” a Genderqueer Space Opera by Tillie Walden”

Growing Up in Comics: “The Love Bunglers,” by Jamie Hernandez

In late October, I’ll be reviewing “The Dragonslayer,” a TOON Graphics collection of Latin American folktales by Jaime Hernandez. If you’re not familiar with Hernandez, he’s a massive figure in the U.S. literary scene. Here’s a bit more context in an post from December 2014, the early days of Commons Comics at the “Elkhart Truth.”

Thanks to Better World Books, 215 S. Main St. in Goshen, for providing me with books to review. You can find all of these books at the store.

 

I’ve been reviewing a lot of young adult books here on Commons Comics since it moved to the “Truth” back in August, partly because I’m wary of breaking into comics that put the “graphic” in “graphic novel.” But this reluctance means that I’ve been neglecting a seminal subset of work that makes comics great. So, fair warning: Jamie Hernandez’s new collection “The Love Bunglers” contains nudity, offensive language, and a sex scene. Don’t buy this book for young kids as a holiday gift. But please also don’t dismiss this brilliant work because of a couple of pages that show adults being adults. Continue reading “Growing Up in Comics: “The Love Bunglers,” by Jamie Hernandez”

“Sabrina,” by Nick Drnaso

“Sabrina,” by Nick Drnaso. 204 pp. Drawn and Quarterly. Cloth, $27.95. Adult.

Drawn and Quarterly sent me a free review copy of this book. Thanks also to Better World Books, 215 S. Main St. in Goshen, for providing me with books to review. You can find or order all of the books I review at the store.

You might expect the first graphic novel to be nominated for Britain’s high literary Man Booker Prize to prove energetic, possibly frenetic, trying to accomplish in images what past winners—powerhouse novels like “Life of Pi” or “Lincoln in the Bardo”—have done with just words.

Yet flip through the pages of Nick Drnaso’s “Sabrina,” and it looks drab, muffled, absent any emotion. Characters range from lumpy to boxy, usually with mere dots for eyes, echoing the work of Chris Ware and Rutu Modan. Yet unlike Ware’s and Modan’s figures, Drnaso’s characters move slowly—painfully slowly. Continue reading ““Sabrina,” by Nick Drnaso”