“Rusty Brown, Part I,” by Chris Ware

Thanks to Fables Books, 215 South Main Street in downtown Goshen, Indiana, for providing Commons Comics with books to review. Visit the store or contact them at 574.534.1984 or fablesbooks@gmail.com to find or order any book reviewed on this blog.

”Rusty Brown, Part I” by Chris Ware. Pantheon, September 2019. 352 pp. Hardcover, $35. Adult. 

“Sprawling” is an adjective frequently applied to the visual and narrative style of vaunted comics master Chris Ware. The above image is only a section of the unfolded cover of his new book, “Rusty Brown, Part One,” but it well conveys the nested, insular, and almost maddeningly complex narrative mapping for which Ware is famous. (See my review of his 2012 book in a box, “Building Stories.”)

“Depressing” is an adjective frequently—perhaps most frequently—applied to Ware’s characters and their stories. In “Rusty Brown,” however, though the characters’ lives are often bleak, the book culminates in an expression of the type of hope and determination that keep Ware’s characters—and, really, the human race—going, even in the face of despair. “Books can’t tell us how to live,” he explains in a recent ”Guardian” interview, “but they can help us get better at imagining how to live.”

As well as how not to live, as some of the characters in “Rusty Brown” suggest. The book runs one by one through the stories of seven protagonists, introduced at the start of the book with film-like credits. The names are all very similar: for example, “W.K. Brown as W.K. ‘Woody’ Brown.” All of the characters either teach at or attend a small private school in Omaha, Nebraska. Though the real-life Chris Ware is associated with Chicago—he lives in the suburb Oak Park, populated by Frank Lloyd Wright buildings and patterns that echo throughout his work—he grew up in Omaha. “Rusty Brown” could be an alternate, “what if?” universe for Ware, especially since an art teacher at the school shares his name. Continue reading ““Rusty Brown, Part I,” by Chris Ware”

“PTSD,” by Guillaume Singelin

“PTSD,” by Guillaume Singelin. First Second, February 2019. 208 pp. Hardcover, $24.99. Adult, maybe older teen (some graphic violence).

“PTSD” opens with the elements: wind, rain, cold and other forces beyond human control. A woman named Jun, striking for her red hair and eye patch, navigates a dark city teeming with sights, smells, sounds, and textures so rich as to be claustrophobic. A veteran, Jun spends much of the story struggling for control of her self, her life, and especially the addictions she’s been unable to shake since the war in which she served as a sharpshooter.

Continue reading ““PTSD,” by Guillaume Singelin”

“Hey, You’ve Got to Hide Your Love Away”: The Fifth Beatle

This post was originally published in the “Elkhart Truth” in August 2014. I thought it was a good time to resurrect it, because “Yesterday” is about to disappear from theaters. It’s a beautiful and brilliant film whether or not you know the Beatles’s music well, and it’s definitely worth catching on the big screen before it disappears.

“The Fifth Beatle,” written by Vivek Tiwary and illustrated by Andrew C. Robinson and Kyle Baker is not a book about The Beatles themselves—plenty of those have been published, and plenty more are surely on the way. Neither is this book about the person usually referred to as the fifth Beatle: Pete Best, the drummer who preceded Ringo Starr.

The book’s title instead comes from a 1999 quote by Paul McCartney: “If anyone was the Fifth Beatle, it was Brian.” Brian Epstein was the manager—and some would argue the “designer”—of the Beatles, the man who transformed a witty and talented but ragged band into the polished, worldwide zeitgeist we remember them as today. Continue reading ““Hey, You’ve Got to Hide Your Love Away”: The Fifth Beatle”